.
Cohabitants
19 August - 17 September 2022
Favour
Ōtepoti Dunedin, New Zealand
alkyd oil on aluminium
30 x 40 cm
After the opening there was a walk with a small group of interested folks through the nearby forest with the glow worms.
Photographed by Justin Spiers. Click on titles for detail shots of works.
Plants as arranged by Miss Reid Floral Studio whose space is shared with Favour.
Elbow-room in the universe
22 - 25 January, 2020
Curated by Victoria Wynne-Jones
Enjoy Contemporary Art Space
Wellington Te Whanganui-a-Tara, New Zealand
Elbow room in the universe, installation view, 2020
( ... )
May 25 & 26 2019
Fiona Williams & Ruth Höflich
DAVID
Naarm Melbourne
( ... ), 2019, installation view, David
Fiona Williams, Untitled, 2018
alkyd oil on aluminium
13.5 x 19.2 cm
Untitled (video still), 2017
alkyd oil on aluminium
19.9 x 60 cm
Untitled (cat), 2017
alkyd oil on aluminium
40 x 60 cm
Untitled, 2017
oil on aluminium
40 x 60 cm
Paintings exhibited alongside Ruth Höflich's video piece 'Silver Cords', 2019.
Photographed by Christian Capurro at DAVID, 1/122 Gertrude St, Fitzroy, May 2019.
If the moon moves water, the sun moves shadows
5-20 October, 2017
Seventh Gallery
Fitzroy, Naarm Melbourne
If the moon moves water, the sun moves shadows, 2017, installation view
If the moon moves water, the sun moves shadows, 2017, installation view
If the moon moves water, the sun moves shadows, 2017, installation view
Untitled (pond still), 2017 alkyd oil on aluminium, 19.6 x 12 cm;
Untitled (garden logs), 2017 alkyd oil on al aluminium 20 x 16.2 cm
Paintings and Films
30 March - 22 April 2017
RM
Tāmaki Makaurau Auckland, New Zealand
Untitled (path shadow), 2014 +
alkyd oil on aluminium
13.5 x 19.2 cm
Untitled (ground), 2017; Untitled (ground), 2017
alkyd oil on aluminium
each 30 x 40 cm
Paintings and Films, 2017, installation view
Untitled (where the cat lay), 2014 alkyd oil on aluminium 40 x 30 cm
Untitled (where the cat lay), 2014 alkyd oil on aluminium 40 x 30 cm
Documented by the artist and by Sam Hartnett.
Included in this exhibition was an item of ephemera, 'Shadow Tides' - a chart that loosely recorded the play of light and shadows in the space during a gallery day.